Contactez-nous FAQ English
Accueil / Lana Gets Her Talk (Described Video Version)

Lana Gets Her Talk (Described Video Version)


Numéro de catalogue:  BEMA03DV
Producteur:  Beth Wishart MacKenzie
Producteurs:  Mackenzie, Beth Wishart
Agences de production:  Beth Wishart MacKenzie
Sujet:  Arts, Documentaire, Étude des premières nations, Études sociales, Études sociales canadiennes, Histoire du Canada, Orientation, Peuples autochtones, Psychologie, Questions autochtones, Santé, Sciences sociales
Langue:  Anglais
Niveau scolaire:  9 - 12, Post-secondaire, Adulte
Pays d'origine:  Canada
Année du droit d’auteur:  2017
Durée:  37:08


Demande de pré-visionnement

Cree artist Lana Whiskeyjack explores the transgenerational effects of Canada’s Indian Residential School system through art - a means to transcending the trauma.

A cinematic observation of Indigenous artist Lana Whiskeyjack as she works to complete a mixed-media sculpture of a tortured face, the face of her uncle. Lana calls the piece "Losing My Talk". This brief study of an artist and her work helps us come to some understanding of the trauma experienced by Canada’s Indigenous people in the Indian residential school system, of its enduring effects on the children of survivors of the IRS, and of one woman’s journey to recover what was lost: dignity, identity, and voice. A story of resilience, Lana’s journey speaks of the power of Indigenous “ways of being” in our time.

As a tool for Reconciliation, “Lana Gets Her Talk” formed part of a Cross-Canada Touring Art & Film Installation "pikiskwe-speak": An Invitation to Conversations in Reconciliation.

Lana Whiskeyjack is a multidisciplinary treaty iskwew artist from Saddle Lake Cree Nation, Treaty Six Territory, Alberta. Guided by her grandmother’s advice, “Go to school, travel, and see as much as you can. Then return home to share what you learned, but do not forget where you came from.” Lana’s research, writing, and art explores the paradoxes of what it means to be nehiyaw (Cree) and iskwew (woman) in a Western culture and society; and, how she and other Indigenous peoples are reclaiming, re-gathering, and remembering their ancestral medicine (sacredness and power). Her art is passionate and expressive, born from the deep roots of her culture, history, and intergenerational relations. Through the examination of sometimes difficult subjects, her art reflects the intrinsic beauty of her interconnections with the earth, Cree language and all living beings.

Program contains Described Video.


Titres similaires

Killing the Indian (55 min.)

Arte GEIE A196-028A

Killing the Indian goes to the root of a deep-seated evil that is eating away at Canadian...

The Maker of Monsters: The Extraordinary Life of Beau Dick

Athene Films Inc AFI000

Maker of Monsters gives an intimate look into the life of one of Canada’s greatest artists. The...

Picking Up the Pieces: The Making of the Witness Blanket (55...

Canadian Museum for Human Rights / Musée canadien pour les droits de la personne CMHR01

The Witness Blanket stands as a national monument to recognize the atrocities of the Indian...

Carver of Stories: DocJam Series

Canazwest CPI006

"Art has to come from a history and foundation, and ours is our stories..." Those are the words of...

In Jesus' Name - Shattering the Silence of St. Anne's...

Susan G. Enberg Productions Inc. SGE000

In Jesus' Name: Shattering the Silence of St. Anne's Residential School is a poignant...


Explorer notre collection par sujet

Voir tous les sujets