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Martyr Street

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Numéro de catalogue:  BF0012
Producteur:  Bishari Films
Agences de production:  Bishari Film Productions
Sujet:  , Documentaire, Études mondiales, Études sociales, Problèmes mondiaux, Problèmes sociaux, Sciences sociales
Langue:  Anglais
Niveau scolaire:  Post-secondaire, Adulte
Pays d'origine:  Canada
Année du droit d’auteur:  2000
Durée:  57:00


Demande de pré-visionnement

Martyr Street, Hebron is the only place in the West Bank where Jewish settlers live in the heart of a Palestinian city; it has long been known as a flashpoint. In September 2000 our film crew was in the midst of shooting a story on children living there for the documentary, A Child’s Century of War. We had no idea that the intifadah was about to break out – literally – before our eyes. History Television commissioned a follow-up on the children of Martyr Street. What we found when we returned was a much bigger story – largely hidden from the international media. Nearly impossible to enter without official sanction, Martyr Street had become nearly deserted; “cleansed” of most of its Palestinian population.

The resulting film Martyr Street explores the roots of violence on the street named for its dead. We feature the children as they grow older, but this time include the adults in their lives; the soldiers, the teachers, the fanatics and the fatalists – each claiming huge stakes that are both incompatible and impassioned.

But it goes back even further, to the story of Abraham, the patriarch of both the Muslims and Jews, who is buried there. Out of a shared heritage, death seems, at first , their only common ground. Does it have to be? This is the story of Martyr Street.

 

“Martyr Street is brave filmmaking at its best” – Terry Waite, former hostage, Lebanon
“Canadian documaker Shelley Saywell movingly recounts the escalation of the Palestinian-Israeli conflict through the lives of two little girls….(the result is) eye-opening social and political journalism.” - Variety
“☆ ☆ ☆ ☆ Shelley Saywell personalizes the casualties and makes a powerful statement in the process.” – Eye for Film, London

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